Video Editor

Who We Are

Job Description

The Role

We’re looking for an editor who treats the cut like the final draft of the film — someone who feels rhythm before they feel the keyboard, who knows that the difference between a campaign and a piece of culture lives in the breath before the beat drops.

You’ll edit and grade work for celebrities, luxury houses, and cultural brands — campaigns that get watched, screenshot, and quoted. From rough assembly to final master, post-production is your room.

This is a craft seat with a clock. You’ll be measured by taste at speed — sharp work, shipped fast, without ever losing the soul.

What You’ll Do

• Cut for emotion, not coverage. Edit brand films, fashion campaigns, celebrity content, and social cutdowns with rhythm, restraint, and cinematic timing.
• Grade like a colorist. DaVinci Resolve is your home. You build looks in node trees and you understand how a grade carries the brand.
• Ship sharp work on tight clocks. Same-day cutdowns. Multi-version social delivery. Campaign timelines that don’t bend. You move fast without compromising taste.
• Hold the room creatively. Sit with directors, producers, and brands. Defend cuts. Suggest better ones. Push the work forward in the edit suite — don’t just execute it.
• Own the full edit-to-finish pipeline. Timelines in Premiere or Resolve, motion in After Effects, conform and roundtrip workflows, delivery across cinema, OOH, broadcast, and social specs.
• Translate references, don’t copy them. A Jonathan Glazer film, a Hedi Slimane runway, a Wong Kar-wai frame — you metabolize them into something new.
• You’re hungry to push AI further. You’ve already experimented with generative tools and you want to compound that fluency alongside people working at the frontier — not learn from scratch.
• Push AI into the workflow. Generative cleanup, upscaling, audio repair, ideation, and accelerating grunt work — without ever letting the work feel like AI made it.

Who You Are

• DaVinci Resolve proficiency is non-negotiable. Not “familiar with” — proficient. Color page fluency, nodes, qualifiers, power windows, LUTs, conform from Premiere or Avid. If grading intimidates you, this isn’t your chair.
• You’re fast and surgical. You ship same-day cutdowns, multi-version social, and campaign deliveries on tight clocks — without your taste slipping.
• 2+ years editing professionally, with a reel that punches above your years. Taste matters more than tenure.
• You’re fluent in Capcut, Premiere Pro and After Effects — Premiere as a fundamental basics, AE for motion, titling, and light VFX.
• You speak fashion and pop culture natively. You know who’s having a moment and who’s about to. You can name three contemporary directors, videographers, photography influencers or editors whose work you study, and tell us why.
• You watch films like an editor. You can talk about why Marvel cuts the way it does, why Euphoria’s grade feels like a feeling, or why a Loewe campaign hits differently.
• You have a point of view. Technical editors are easy to find. We want the ones with conviction.
• Bonus: Beauty, fashion, or luxury experience. 3D or motion graphics. Sound design instincts.

Why You’ll Love Working Here

• Cut for icons — Dior Beauty, Macallan, Raffles City, Marina Bay Sands, top celebrities and KOLs.
• Build a reel that gets you anywhere — Markies, Spikes Asia, Cannes Lions level.
• Sharpen your AI craft. We work at the frontier — Midjourney, generative video, AI-augmented finishing. You’ll build that fluency in real campaigns, not in a course.
• Sit in the room with directors, photographers, stylists, and producers.
• Push the craft — new color science, new AI tools, new finishing workflows.
• Be seen — OOH, social, in-flight, retail, brand platforms.